Polly Stanton

Polly Stanton is a moving image artist and sound practitioner. Her work primarily investigates the relationships between environment, human actions and land use. Her films and installations focus on contested sites, presenting landscape as a politically charged field of negotiation, entangled with history, technology and capital. Sound and listening also play a critical role in Polly’s work, in both the creation and reception of projects; with listening practices and field recordings engaged with as a means to expand vision and consider the unseen elements and materiality of place. Polly’s mode of working is expansive and site based, with her practice intersecting across a number of disciplines from film production, sound design, field research, performance, writing and publication.

Wominjeka (Welcome). We acknowledge the Yaluk-ut Weelam as the traditional custodians of the land on which we meet. Yaluk-ut Weelam means ‘people of the river camp’ and is connected with the coastal land at the head of Port Phillip Bay, extending from the Werribee River to Mordialloc. The Yaluk-ut Weelam are part of the Boon Wurrung, one of the five major language groups of the greater Kulin Nation. We pay our respects to the land, their ancestors and their elders—past, present and to the future.